Salnotes Zero

After three years with the 7Hz Salnotes Zero, nothing sounds quite like it: a clarity that makes precise genres sound expensive, though not great for busy music.

Their first IEMs, the 7Hz Salnotes Zero, are technically fantastic and clear, but too dry and fatiguing for casual listening, and hit their outer ear cartilage.

Enjoys the KZ Castor more than their 7Hz Salnotes Zero.

Used the 7Hz Salnotes Zero for a year and got bored of the flat sound, though it has great separation for people who work with sound.

Their first IEM, the 7Hz Salnotes Zero Type-C, wasn't a magical upgrade, but brought cleaner instrument separation and less muddy sound.

Not too happy with the 7Hz Salnotes Zero: the sound feels cheap and not punchy, even next to old Apple earphones.

Loves everything about the 7Hz Salnotes Zero compared with their first KZ, though the bass seems lacking for them.

Their first IEM, the 7Hz Salnotes Zero Type-C, is pretty great but has a hissing/static issue with their OnePlus 13.

The right side of their first IEM, the 7Hz Salnotes Zero, was dead on arrival.

Has had the 7Hz Salnotes Zero about six months and finds it amazing, though the soundstage feels a bit fake.

The 7Hz Salnotes Zero nearly disappears in the ear with a comfortable shape; the cable is fine but not amazing.

Their new 7Hz Salnotes Zero sounds noisy and treble-heavy to them without EQ, lacking clarity and mid-bass.

The 7Hz Salnotes Zero is their most loved IEM.

Their new 7Hz Salnotes Zero sounds amazing, similar to the Chu II with less bass, and will be their daily driver.

Keeps turning to their 7Hz Salnotes Zero, maybe out of habit.